3/18/2023 0 Comments The hit list movie plotConsequently, the charm of a good music biopic never fades. Apart from the rags-to-riches story which again is a common thread of these movies, the sole reason for the popularity of a musical biopic is the utmost importance that is given to the crazy worship of music shown by these gems. ![]() Movies profiling the biggest and most famous musicians across the world have one common tone which is to inspire and entertain us with the tales of these great personalities who have gone through extraordinary individual journeys and lived memorable lives. Additionally, the language of music is universal and hence the global market is open for such movies which mostly never fail to do well at the box office. As most of us relate to music, especially during both high and low points in our lives, we develop a wistful longing to go back to the glorified old days. Chronicling the lives of musicians from various genres including blues, jazz, rock, pop, hip-hop and rap, these films, considered to be a some of the best music biopics, evoke strong emotions among the masses. Vikram needed more such moments to be truly memorable.Groovy and addictive music enveloped in nostalgic magnetism and madness of some of the biggest western classical musicians in the world is the main ingredient of a brilliant music biopic. But, in a film filled with action heroes, the biggest mass moment comes in a stunt scene involving a female character (a maid/spy, played by Vasanthi). The action scenes, while solidly choreographed, never leave us with a rush. Even the much-publicised cameo by Suriya, which acts as a set-up for the next installment in the ‘Lokesh Kanagaraj Universe’, is a tad underwhelming. Narain, as Bejoy, the honest cop from Kaithi, is also given the short shrift. Fahadh’s Amar gets more or less written off while Vijay Sethupathi comes across as trying too hard. And the arcs involving Amar and Sandhanam, too, turn predictable. To his credit, Lokesh tries to provide an emotional undercurrent, with a sub-plot involving Karnan and Prapanchan’s baby, but it isn’t affecting enough. It’s similar to what we got in Kaithi, but here, it is less effective. A small bunch of cops should hold out against an army of gangsters. And Vijay Sethupathi seems to be taking off from where he left in Master, playing a ruthless villain.īut once the easy-to-guess mystery around Karnan is cleared, the narrative becomes rather straight-faced. The actor, who is in action-star mode here, also gets a whistle-worthy moment, which leads to the interval. ![]() There are nods to Kamal’s oeuvre, from Nayakan to Anbe Sivam, and spotting them offers some minor thrills. Even though these portions have very little of Kamal Haasan, we keep sensing his presence, both as the character and as the actor. Vikram works best in its first half, when we see Amar and his team trying to make sense of the murders and track down the killers. Was he an alcoholic father grieving over the loss of his son, a womaniser or much more? More importantly, is he dead or alive? Meanwhile, Amar is puzzled by the many versions of Karnan. The chief suspect is Sandhanam (Vijay Sethupathi), a fearsome drug lord with a large family, who is searching for a shipment of raw material that could make him a kingpin. Police chief Jose (Chemban Vinod Jose) brings in a black ops team headed by Amar (Fahadh Faasil), who starts digging into Karnan's life. We learn that there has been a series of such killings with a group of masked men taking responsibility for it and calling it their war against the system. The film does starts off intriguingly, when Karnan (Kamal Haasan), the father of a martyred cop Prapanchan (Kalidas Jayaram) is killed. It holds the mysteries of a spy film and provides the thrills of an action film to some extent, but it doesn’t feel wholly satisfactory and fails to leave us with the adrenaline rush that a film with such high ambitions promises. Vikram Review: Lokesh Kanagaraj brings together the espionage-filled world of Kamal Haasan’s 1986 film Vikram and his own 2019 film Kaithi’s action-filled world of drug lords and cops in Vikram, a predictably plotted action film that is more interested in expanding its universe without really immersing us into it. Vikram Story: Following a series of murders of police officials, a black ops cop goes after a mysterious gang of masked men, which has declared war on the system, which is protecting a fearsome drug lord.
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